My introduction to the works of John D MacDonald occurred back in the early 1970’s when a friend of mine insisted that I read a book he had just finished and found enthralling. It was April Evil and it began for me a long love affair with the author’s writing. I was aware that MacDonald had a series character with at least fifteen titles and decided to tackle them next. I read them in the order they had been published, and when I finished I started on the “stand alone” novels, beginning at the beginning and carefully obeying the proper publication order (which was not easy then) until I had finished the appropriately titled The Last One Left. I’m that kind of reader and I suspect there are many of you out there who are similarly afflicted.
But just as my presumed order of the stand alone novels was probably in error, so too was my reading of the Travis McGee books, at least in relation to the world and timelines established within the works themselves. We readers presume that McGee’s adventures in, say, Mexico (Gold) took place before his dangerous stay in Naples (Orange) because Gold was published before Orange. But that is not necessarily the case. Peppered throughout all of the McGee books are dates and clues in the form of references to other events that date these adventures within their own little world. And, in the early novels at least, the chronology is much different than the publication order. It took the painstaking work of a Travis McGee fan named Allan D Pratt to get it all right and place the stories in their proper order. Using identifiable dates used in the books and references to various characters and real-world events, Pratt put together a new chronology, complete with the timelines within each novel, placing them in a new and unique context. He published his work in the Spring 1980 issue The Armchair Detective and called it “The Chronology of the Travis McGee Novels.”
Pratt presumed that it was quite likely that MacDonald had his own chronology, constructed “to avoid trapping himself in contradictions,” and that does seem quite likely. But since the author never revealed this working aid and, in fact, never mentioned having invented one, it fell on Pratt to go through each of the novels and, using all of the calendars from the 1940’s through 1980, specifically date each of them, not only when they took place but when each one began and ended. His one assumption in the dating of these books was that the action in any of them could not have begun after the novel’s actual copyright date. Only a handful of them end in a year following the copyright.